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Design of the statues
In most cases, Egyptian sculptures have a base plate and a back plate that defined the sculptural space - Domyhomework will do your assignments . Two types of statues can be distinguished: Seated figures symbolise a special position in society. They are enthroned and thus elevated from the masses and transfigured to an eternal existence (Cheops, c. 2600 BC; Chefren, c. 2550 BC). In contrast, the standing-shouting figures symbolise the ability to move.
Regardless of age or coincidence of the moment, the sculpture was carved frontally from the stone block. The arms and legs usually remained closely connected to the body and the stone block or back slab. In the case of the striding figures, the left leg was always presented. In spite of the strict and block-like forms, in the Old Kingdom the figures were almost portrait-like.
Painting and inlaid stone eyes were intended to support this effect. In the Middle Kingdom - https://domyhomework.club/computer-science-homework/ , too, statues of kings were found that went beyond the prescribed ideal type through individual characterisation.
In order to realise the vitality of the "ka", the sculptures had to resemble portraits. At the same time, however, they had to make the god-like qualities of the pharaoh visible. This is how the synthesis of ideal image and portrait, typical of pharaonic Egypt, came about.
In Amarna art, the style culminated in individualisation - analogy homework help . The "heretic king" Echnaton had elevated a chosen god to the status of imperial god: Aton, the sun. He also had the new residence Amarna built in Middle Egypt. Even though this "revolution" was reversed under his successors Tutenchamun and Haremhab, the works of art from this period have become internationally famous.
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